Old People's Home Akira Tatehata Sun Yuan & Peng Yu's work Old People's Home consists of 13 hyper-realistic, life-sized human replicas of army generals, religious and political leaders of various nationalities, wearing very formal costumes, all sitting in electro-motion wheelchairs. This is a large-scale site-specific installation. The hyper-realistic human replicas in the wheelchairs either stare at something or simply nod their heads or look like they may be taking a nap. The wheelchairs automatically change directions when they collide with each other or with the wall. They are in constant motion, ceaselessly colliding, and their faces are emotionless, thus creating a kind of indifferent and eccentric atmosphere. The replicas represent a group of people who have no direct relationship. The do not talk to each other, so the scene resembles a collective hush, created by people from various cultural, social and racial backgrounds. It indicates the absurdity of the theory that frames an optimistic belief in the possibilities for mutual communication between different cultures or groups based on cultural pluralism. The wrinkles on their faces and the skin textures of their hands give people an extreme impression of trueness, while this kind of trueness is magnified under the meaningless fictional context that dominates the work. So, why choose the figures of elderly people? Maybe they refer to the concepts of both order and death. Although they move very slowly they are never fully motionless. In this powerful work, the duo of artists try to tell us that lack of communication is not du to the irreversibility of death, but is caused by the very structure of society. The metaphors lie in the work are conveyed through the direct reflection on some intrinsic questions.
老人院 建哲 孙原和彭禹的老人院是十三个实际尺寸的仿真人体所创作的作品。在这部
作品中,军人统帅和宗教领袖,职业和国籍各不相同的老人们,全都穿着
严肃的盛装和民族服装,坐在电动轮椅上缓慢的活动,可以说是一个大规模
的、气氛很特别的艺术作品。 |
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